School of Art and Industrial Design

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Adjudication and national primary schools’ music performances in Uganda: a case of music Performances from Nkwanzi music region
(Kyambogo University [unpublished work], 2022-06) Walubo, Erisa
The purpose of this study was to evaluate the adjudication of music performances at the Uganda National Primary Schools’ Performing Arts (UNPSPA) festival, with a case of national music performances from Nkwanzi music Region. From the onset, this study was triggered by the choir trainers’ increasing voices of dissent against adjudication results. The study objectives were; to investigate how adjudication of music performances at the UNPSPA festival is done, to assess the competency of adjudicators of music performances at the UNPSPA festival, and to examine extra-musical and non-musical factors that influence adjudication of music performances at the UNPSPA festival. This study was conducted in four districts of Jinja, Kamuli, Kaliro and Luuka; an area which had a high number of increasing voices of dissent, and also from where two of the four choir trainers who were banned from the 2017-2018 festivals, hail. The study was hinged on Dworkin’s theory of adjudication (1980) and a Mixed Methods research design was used, involving both qualitative and quantitative descriptive approaches. The target population included members of the UNPSPA festival organising committee, adjudicators of national music performances for 2015-2019 festivals, and choir trainers whose choirs reached the national festival within 2015-2019. A sample of sixty-four (64) respondents was selected from a population of sixty-nine (69) by purposive sampling strategy. The instruments used to collect data were questionnaires, interview guides and document analysis checklist. Key findings from the study were as follows; Concerning how adjudication is done, the study disclosed that there was no association of adjudicators for quality assurance and disciplinary control, hence no systematic procedure for selecting, approval, appointing, training and mentoring of adjudicators at the UNPSPA festival. Adjudicators are theoretically inducted prior to adjudication, Adjudication commentary was flat because it never gave full direction to the choirs, thus disabling its educational importance. Also, key stakeholders had no opportunity of evaluating adjudicators and/or the adjudication process. About competency of adjudicators, it was found out that adjudicator’s knowledge of theme, experience in music and regular training, boost their efficiency. Also, the study unveiled that the quality of adjudicators at this festival is low. Further, about factors that affect adjudication, it was discovered that favouritism, adjudicator’s emotional state, external influence, language barrier, audience reaction and order of programme, influence the adjudicators. The study recommended that adjudicators should form an association to systematise the running of this festival; there should be regular and practical training of adjudicators through workshops, seminars and internships so as to uphold their competency; adjudicators should be given adjudication permits after evaluation by key stake holders. Also, each adjudicator in a panel should come up with individual commentary and ratings before conferring, to mitigate external influence. These recommendations in combination, will help to improve on adjudication at this festival, thus curtailing the voices of dissent against adjudication results.
Application of natural dyes extracted from plants on cotton fabrics using the Screen printing technique
(Kyambogo University (unpublished work), 2016-10) Muwaya, shafick
In this study experimented with the usage of natural dyes extracted from plants to decorate sample fabrics using Screen printing technique. This research were guided by the following objectives: I . To analyze various plants in Uganda for extraction of dyes to decorate fabrics using screen printing technique. 2. To extract natural dyes that can be applied on to cotton fabric using screen printing technique 3. To experiment with natural dyes to decorate fabrics using screen printing technique. 4. To produce screen printed sample fabrics using natural dyes. The study focused on seven plants namely, sweet potatoes, yam (balugu), turmeric (ldnzali), Momordica foetida (boobo), bidens pilosa (ssele), Madder (Manjistha) and vernoma amygdalina (mululuza). The researcher extracted colorants using the local methods of extraction. In chapter two of the study showed that they were many methods of extraction. The different methods for extraction of coloring materials were Aqueous extraction, Alkali or acid extraction, Microwave and ultrasonic assisted extraction, Fermentation, Enzymatic extraction, Solvent extraction, Super critical fluid extraction however, the researcher used local ways of extracting dyes from plants like pounding, squeezing, soaking and boiling the different parts of the plant because it had an advantage over the acid extraction which is harmful to the human health. The study experimented with different three recipes as shown in table one and also used four thickening agents which were sodium alginate, gum Arabic, textile thickener and book binding gum. All the three yielded the same results on the Colour fastness to washing. However, book binding glue was not good on the print sharpness when using vernonia amygdalina. The study used the recipes in table one the researcher formed printing paste which was used to print sample fabrics. The study also used a direct photographic method of screen
Artistic representation of food security among the pokots in matany, napak district
(Kyambogo University [unpublished work], 2022-11) Okia, Emmanuel
This study artistically represented food security among the Pokot in Matany, Napak District. The study was conducted under three objectives: to examine the causes of famine in Matany, Napak District, to establish what artistic representations are used to preserve indigenous practices that promote food security among the Pokots, in Matany, Napak District and; to produce prints for future references to sensitize the people about indigenous practices that promote food security Among the Pokots in Matany, Napak District. The study employed an exploratory approach to un earth the required information about Artistic representation of food security among the Pokot in Matany, Napak District. Fourty two respondents were Randomly selected for their knowledge and expertise on the practice of food security and the views of the elders whose respective information guided the studio process, Data was collected using interviews, focus group discussion, photography, documentary analysis and studio experimentation based on the literature search and field work, the findings indicated that food security preservation played a big role amongst the Pokots, the preserved food is sold for purchasing other basic needs like salt, soap, sugar; helps in playing an important role in the society. For example, when in-laws visit the preserved meat is used as sauce and preserved food is also used for future days when there is completely nothing to eat in days of severe food scarcity. Therefore, the Pokot should encourage clan leaders and the elderly to instill the importance of embracing food security preservation among the youth through clan meeting, storytelling and use of food security preservation ways during events like child naming, festive dance and Heritage Day. Although the artifacts were produced for the Pokot community, for the purpose of promoting food security, the outcomes are beneficial to the entire Pokot community, Thus, Artistic representation of food security among the Pokots artifacts can continually be produced especially among the Pokots community and for the public consumption about food security preservation ways.
Ceramic ware with forms and decorations derived from selected Uganda's fauna
(Kyambogo University[unpublished work], 2013-08) Namara, Grace
The purpose of this study is to use Uganda's material culture with specific reference to fauna as a source of inspiration to enhance ceramic ware in terms of form, decoration, promotion and preservation of Ugandan culture. The research is born out of the fact that the researcher has been observing that many of the ceramic items produced or imported in Uganda have forms that are largely geometric, besides; the decorations mainly reflect images derived from fauna or flora from foreign regions other than Uganda. The researcher thought that the research would come in handy and help to address the problem by sensitizing artists and porters about making ceramic pieces using fauna from Uganda as a source of inspiration. The study was based on the following objectives: • Identify common fauna that can be used as a source of inspiration m ceramic art production to portray a Ugandan culture. • Ascertain ways in which ceramic artists in Uganda have used fauna as a source of inspiration to produce ceramic pieces portraying Ugandan culture; • Produce studio based ceramic ware using the selected fauna as source of inspiration. Following the above objectives, the practical part of this study started with analysis of fauna, as a result Uganda Kob and the Ankole cow were identified as the animals that would be used in this research. Studies of the selected fauna were made; this enhanced the researchers' understanding of different forms which were later used to create ceramic forms and decorations.
Creating culturally based bridal adornments from selected Ankole motifs
(Kyambogo University(Unpublished work), 2017-12) Arinaitwe, Nkiziibweki
The Banyankole have kept okuhingira (the giveaway ceremony) as an important function, yet body adornments used during okuhingira do not clearly depict the Kinyankole culture. Since the ancient times, personal adornment has always played a vital role in every part of the world. However, creating body adornments rooted in the individual and specific cultures, and integrating them in contemporary designs that come with global fashion of attires and body adornments which are influenced by the Western designers has remained the greatest design challenge of African artists. Whereas the indigenous motifs are embedded with meaning intended for that particular community, are colorful and can be a symbol of identity, Africans are tom between the local (usually considered as for the poor) and the imported- "already made" (usually considered high quality and trendy for the rich). This study therefore aimed at developing bridal adornments inspired by traditional exterior decoration motifs of Banyankole in South Western Uganda that can serve both traditional and contemporary interests. The study, which was qualitative and descriptive, targeted the Banyankole brides and the bridal entourage. Ten respondents were purposively selected and interviewed. More so, observation, photography and secondary sources were employed to enrich the data. The collected data were interpreted using studio practice such as sketching and drawing to develop designs from the selected motifs which resulted into three sets of bridal adonunents for the bride, the matron and the maid. The products were tested on five brides to be and one bridal shop to establish their readiness for use. The study recommends the use of indigenous designs such as traditional motifs in the contemporary bridal adonunents for posterity as well as unique beautiful designs.
Creating paintings inspired by the traditional iteso akogo music instrument for contemporary spaces
(Kyambogo University [unpublished work], 2022-06) Orhon, Solomon
"Creating Paintings Inspired by the Traditional Iteso Akogo Music Instrument for Contemporary spaces" is a study that produced paintings for contemporary spaces inspired by traditional Iteso Akogo Music Instruments. The objectives of the study were; (1) To establish the cultural significance of Akogo Music Instruments in the Iteso (Kumel village) community in Mukura Sub-county, Ngora District, Eastern Uganda. (2) To identify ways in which traditional Akogo Music Instruments can inspire decoration of contemporary spaces (3) To produce paintings for decorating contemporary spaces inspired by traditional Akogo Music Instruments. The study was carried out in Kumel Village, Mukura Sub County in Ngora District, Eastern Uganda, where seven respondents and a performance group were purposively selected. The research design was ethnography with research methods including in-depth interviews, direct observation, focus group discussion (FGDs), recording and photography. The data collected was subjected to studio experimentation to come up with the paintings. The findings indicate that; (1) the number of Iteso who are conversant with the use and application of Akogo music instrument continues to reduce because of many factors such as modernization, technological advancement and their related ideologies. (2) not so many Iteso did understand painting as a practice until when they encountered the Nyero rock paintings in Kumi district during the migration and movement of communities and, (3) Akogo music instruments are one of Teso's cultural heritage and when used as inspiration for paintings for contemporary spaces can promote and preserve Iteso material culture as well as create alternative sources of income. To change the perceptions on traditional Akogo music instruments, preserve and promote their importance, the researcher developed four projects through painting for decorating the hotel reception and conference room of Seven Eleven Hotel Ltd in Mukura. The projects were based on; "A Collaboration Tool'', "A Participation Tool'', "Mobilization Tool" and "Leadership & Communication".
Cultural identity and royal symbolism in Uganda: regalia in the investiture of the King of Buganda
(Taylor & Francis, 2024-02) Kekimuri, Joan; Wathum, Edwin
As an invented tradition of Uganda, the investiture of the King of Buganda stands out as one of the defining practices impacting cultural identity and the expression of power in the country. The regalia emerges as an iconography of regal glory which serves to legitimize power. This paper addresses the following questions: first, how would the investiture of the King of Buganda be seen in the context of visual narratives of cultural identity in Uganda? Second, how did the regalia serve to legitimize the power of the monarch to elevate his socio-political status in the country? Third, how does the King of Buganda become recognizable through art and adornment? Using a reflective, multistranded approach, this essay studies the material culture of Buganda accession ceremonies by integrating interviews with coronation officiants and painted depictions by the lead author. We argue that the royal regalia of monarchs offers visual symbolism that is enduring and significant, deeply owing to an ‘invented’ tradition and enshrined customs in a people’s culture – in this case, of Buganda’s kings.
Decorative wall hangings made out of fabric off cuts using the collage technique.
(Kyambogo university [Unpublished work], 2016-12) Luutu, Nakamya Assumpter
The study explored the different possibilities of using fabric off cuts to produce decorative wall hangings using collage technique. The study was conducted under three objectives that sought to( a) to the usage of fabric off cuts for the production of wall hangings using the collage technique,(b) to analyze the usage of different collage techniques for the production of decorative collage wall hangings (c) To produce decorative wall hangings out of fab1ic off cuts composed in different patterns that appeal in diverse ways using the collage technique The study employed the descriptive design, to investigate the potential of fab1ic off cuts in development of decorative wall hangings using the collage technique. To fulfill objectives a and b, the researcher used interview, direct observation, library, and archival search methods, c, studio experimentation The information from that population guided the researcher during studio experimentation. The study observed that a few visual artists in Uganda have experimented with fabric off cuts to develop wall hangings. Fabric off cuts are minimally used by artists for the creation of wall hangings because they are so much attached to using paint that they do not realize the beauty of fabrics thrown away as. The various types of fabric off cuts, differently textured, colored, shaped and patterned revealed that fabric off cuts is a material that can be used to register designs. The accessories comprising of wooden buttons, plastic buttons, glass beads and wooden beads used in some compositions to complement fabric the primary material revealed that fabric is a medium that can easily blend with other materials. The study findings are presented in both text and photographic formats which were interpreted in consideration of techniques, material and content attributes. They affirm that fabric off cuts is commendable material for wall hanging production using the collage technique. The research study was limited to use of fabric off cuts with a few other selected accessories. This study recommends further research on other accessories like leather, metal and other materials which are outside the scope of the study.
Designing a locally adaptable low cost patient ward bed in Uganda: A case study of Atutur hospital, Kumi district
(Kyambogo University[unpublished work], 2018-11) Akol, Otemor Bernard
Uganda, like any other developing country experiences challenges in providing access and quality health services to its people. Uganda has tried to put in place the necessary infrastructure though with limitations. Many hospital facilities that have buildings do not have enough equipment such as beds to support the patient's numbers. Although World Health Organisation recommends a global average of 25 beds per I 0,000 people, in Ugandan hospitals, the density of beds stands at 5 beds per I 0,000 people. This condition has left many Ugandans spreading mattresses or mats on the floor making it difficult to be properly examined and also exposing the patients to various infections. This study therefore set out to design a low cost general ward bed with improved functions using available local materials. Specifically the study analysed the effects of the low bed patient ratio in health facilities, developed a design of a low cost bed inspired by a Loxodonta, and produced a prototype of a low cost general ward bed. The study used a case study design and studied Atutur hospital in Kumi district. Respondents were purposefully selected and a total of 29 participated. Using in-depth interviews, observations and photography, the views of the respondents were collected and used to design a low cost general ward bed. The design developed was also based on the Loxodonta which is a common African gene. The final prototype of the bed demonstrated that it is affordable and multifunctional.
Designing a rogemma bee house: improving apiculture in Sheema district in Uganda
(Kyambogo University(Unpublished work), 2021-08) Murunga, Roger
Production of honey in Uganda is a remunerative business. Honey has high demand both for medicinal and nutritional importance across the entire world. Majority of apiculturists use indigenous beehives that are a target to thieves and vandals who raid the beehives resulting to devastation of many bee colonies. Besides that, these hives have a limited capacity to host bees therefore bee keepers are compelled to buy multiple separate beehives so as to boost the quantity of honey produced making the business overall expensive. Land is continuously being fragmented and farmers have limited land for spreading beehives. The Study was intended to design and produce a model RBH with a manual which will ensure safety of the bees against vandalism and theft. Secondly, the design is intended to enable apiculturists improve quality and quantity of honey, and provide a manual for production of the RBH. The study was qualitative and used an exploratory approach whereby apiculturists were interviewed and observed on how they engaged in apiculture. The study hopes to raise the production, quality and quantity of honey in Sheema District and generally in the entire cattle corridor in the Western part of Uganda where households are engaged in honey production. The success of this project is expected to contribute not only to the body of knowledge, but also to the increased food supply for sustainable development as bees are primary pollinators in agriculture.
Designing adjustable maternity apparel for working women.
(Kyambogo university (unpublished work), 2018-11) Nangyeshe, Brenda
The working pregnant women's apparel has been neglected a Jot here in Uganda and therefore limiting them to few fashionable clothing choices that are not work appropriate for them. The aim of the study "Designing adjustable maternity apparels for working pregnant women" was to come up with designs for working pregnant women using various designs and fabric decoration methods to facilitate their use throughout the pregnancy and enhance the apparel. The objective of the study was to analyze the different types of maternity apparels worn by working class women, to find out the perceptions pregnant women had towards maternity apparels and finally to design and produce adjustable maternity apparels for the working pregnant women. Interviews, questionnaires and observation techniques were used to get responses from the subjects. The data was presented in tables, pie charts and histogram. The findings revealed that shift dress styles, layering and empire waist dress styles were the most favored by pregnant women because of their easy fitting style which provides room for the growing belly. The study also revealed that the perceptions pregnant women had towards maternity clothing was mostly because they were expensive and could only be used once. With the data collected, the researcher was able to design and produce maternity apparels for working pregnant women.
Developing pots from indigenous Acholi ritual pottery for use in contemporary space
(Kyambogo University(Unpublished work), 2018-11) Adong, Sanday Rhodest
Acholi indigenous pots, like any other indigenous pots elsewhere in the world, were and are still important to the community. The pots served several functional uses that supported daily chores (domestic use) such as; storage of water, grains, brewing, cooking, serving food and ritualistic ceremonies such as initiation rite, birth rite, naming, marriage, death, appeasement of the spirit(s) among others. Though the Acholi community still takes pride in their traditional cultural values and practices, confinement of the Acholi people in Internally Displaced peoples (IDPs) camps for over 25 years which was further worsened by factors associated with the modem ways of living; Western cultural ideologies such as religion, education and technology led to the decline of indigenous pottery use. Yet the community has neither fully adopted the contemporary cultures nor discarded the traditional practices. The study set out to design and produces pots inspired by indigenous Acholi ritual pots for contemporary space. Specifically, the study analyzed the factors that influenced the production of pots among the Acholi community, designed pots from selected Acholi ritual pottery for specific contemporary spaces and produced pottery ware inspired by Acholi ritual pots for use in contemporary spaces. The significance of the study was to link the Acholi culture to contemporary life by adding to the existing body of literature, helping the community to improve their livelihoods through production, use and sale of pottery items and providing the policy makers with another avenue of empowering the communities and ensuring sustainable development. Using qualitative study approach and ethnographic research design, ten respondents were purposively selected and data was collected using in-depth interviews, participant observation, photography and focus group discussion. The collected data were analyzed thematically, and emerging patterns were isolated and subjected to studio practice. Three types of pots were identified and used as inspirations to design and produce four projects for use in the Hotel reception. The study findings indicated that production was influenced by the needs of the community, and designs were created from what the community believed in and practice and those pots can be redesigned to fit contemporary spaces. The study recommends that, policy makers should support the production indigenous material such as pottery as an alternative source of income, modern developers and urban planners should integrate indigenous product s such as pottery in development, awareness creation among the communities to embrace production of indigenous material culture and mass production investment by government to enable communities produce in large scale.
Development of contemporary paintings and sculptures by female artists In Kampala, Uganda
(Kyambogo University, 2019-11) Nkata, Isaac Newton
The development of Contemporary Paintings and Sculptures by Female Artists in Kampala has only helped a few Female Artists to identify themselves as contemporary sculptors and painters. The minority Female Artists have ended up dominating the market place because they are more privileged than the majority Female Artists. These minority Female Artists are almost equal to men and have not experienced any obstacle when it comes to documentation both locally and internationally. In this research I have established the Female Artists who are contributing towards the development of Contemporary Painting and Sculpture in urban Kampala, factors hindering Female Artists in developing Contemporary Sculpture and Painting in urban Kampala, the research has further documented the minority Female Artists and how they have contributed to the development of Contemporary Sculptures and Paintings in urban Kampala Uganda. Three research questions were posed, (i). who are the up-coming Female Artists that practice Contemporary sculpture and painting in Urban Kampala Uganda? (ii). what factors affect Up-coming Female Artists in the production of Contemporary Painting and Sculpture in Urban Kampala? (ii). to what extent have the Female Artists contributed to the development of Contemporary sculpture and painting of in urban Kampala? I have investigated the questions through a vivid ethnographic account using both primary and secondary sources. Through questionnaire, field notes, one on one interviews and observations with people that mattered as far as this research was concerned. Secondary data was collected through literary sources, such as books, journals, research papers, newspapers and the internet. The findings of this research will help academic scholars, institutions of higher learning and other stake holders since it has covered and documented the politics of identity construction by female artists in the field of contemporary sculpture and painting to get a better way of promoting the girl child in Uganda.
Development of decorative motifs for floor and wall ceramic tiles derived from ganda material culture
(Kyambogo Univiserty(unpublished), 2011-12) Orijabo, Silas Oyo
This study set out to develop decorative motifs for floor and wall ceramic tiles derived from Ganda material culture. The significance of this study is the promotion of Ugandan culture through production of decorative tiles using Ganda material culture as motifs. This will keep the Ugandan culture alive through educating the young and upcoming generation by decorating the tiles using the designs from the indigenous crafts of Uganda specifically the Ganda material culture. The study set out to produce sample tiles with decorative motifs inspired by pottery from Ganda material culture. The study design was an exploratory intervention into developing decorative motifs for floor and wall ceramic tiles. Data was collected from the field using questionnaires for Ceramic dealers and masons (builders) within Kampala city, while interviews were conducted for selected individuals in order to collect information on the history of imported tiles and their use within Uganda. The process of studio work was closely supervised to register findings/results. A number of findings were registered, most of which confmned to the development of creative use of decorative motifs for floor and wall ceramic tiles derived from Ganda material Culture. From the findings, conclusions were drawn one of the major ones being that the use of Ganda material culture is of the essence in transmitting creative use of traditional culture in decorating floor and wall tiles. Finally, several proposals which were made aimed at highlighting the creative use of traditional culture to decorate floor and wall ceramic tiles in Uganda.
Development of relief sculptures from waste eggshells as an alternative material for school of art and industrial design Kyambogo University
(Kyambogo University [unpublished work], 2023-08) Arinda, Frankline
The purpose of this study was to develop relief sculptures from waste eggshells as an alternative material for School of Art and Industrial Design Kyambogo University. It was conducted under three objectives namely; to identify different waste materials that have been used to create sculpture at the School of Art and Industrial Design Kyambogo University, to execute design concepts for producing relief sculptures from waste eggshells for School of Art and Industrial Design, to develop relief sculptures from waste eggshells as an alternative material for School of Art and Industrial Design. This study was qualitative in nature and a case study research design used to gain information about waste materials for sculpture and provided an opportunity for innovation. Purposive sampling technique was applied based on sculpture students and lecturers who were practicing sculpture at the School of Art and Industrial Design. The researcher used interviews, direct observation, photography, Library and archival search methods to fulfill the study objectives. The information from different students and lecturers was gathered using interview guide, observation check list, reading list and studio practice guide which directed the researcher during studio exploration. This study observed that conventional materials like clay, cement and wood were commonly used for the production of relief sculptures at the School of Art and Industrial Design. This was due to the complexity of creating relief sculptures that came along with representing figures within a limited space which tended to be difficult while using waste materials like plastic bottles, polythene among others thus discouraging students. The study findings presented in both text and photographic formats were interpreted in consideration of techniques and material. They affirm that eggshells are a reliable and flexible waste material for the production of relief sculptures. This study recommends that waste eggshells can be used as a material by other universities and institutions of learning and also prototypes used for study purposes.
Drawing as a means of preserving the values of Konzo traditional mortar and pestle: a case study of Nyakasanga village in Kasese district, Western Uganda
(Kyambogo University, 2020-03) Baluku, Gilbert
The study was carried out under the title; “Drawing as a means of preserving the values of the Konzo traditional mortar and pestle.” Throughout history, mortars and pestles have varied in; size, style, and material depending on their purposes. The purpose of the study was to produce drawings through studio experimentation as a mean for preserving the usage and values of the Konzo traditional mortar and pestle in Kasese Region, Western Uganda. The study was conducted under three objectives; to examine the values of the Konzo traditional mortar and pestle, to find out whether the practices of making and observing Konzo traditional mortar and pestle are preserved as well as to produce drawings for preservation of values of the Konzo traditional mortar and pestle. The study involved 10 respondents who were purposively selected for their knowledge and expertise on Konzo traditional mortar and pestle whose respective information guided the studio process. The methodology used was purposive and exploratory approach. The exploration in this study involved producing drawings with different surfaces and media; Surfaces included bond papers, craft paper, canvas, plywood, and mounting cards. Drawing techniques which were tried out during experimentation included wavy, cross hatching, scrabbling, hatching, wash and dotting. Media included chalk, charcoal, pencil colour, water colors, and soil. Keywords included; Pestles and Mortars, Preservation and Drawing. Content in the study was based on usage and values of the Konzo traditional mortar and pestle in Nyakasanga Village, Kasese Region, Western Uganda; This study under findings discovered the purpose why the usage and values of Konzo traditional mortar and pestle should be preserved through Drawing as a mean ;the uses of Konzo traditional mortar and pestle included ;used to pound cereals and other food staffs in preparation of food, used to grind medicine which was given to the sick, helped to create relationships in the society which showed togetherness in the community, inspired the study. The findings which were presented on various surfaces through drawing recognized some of the values of the Konzo traditional mortar and pestle and recommended that further studies should be conducted on how they can be preserved through.
Enhancement of Hands-on Teaching and Learning Experiences through Project-Based Learning among Interior Design Students
(Africa Journal of Technical & Vocational Education & Training (AfriTVET), 2019-10) Lydia, Nansubuga; Nabaggala, Justine; Opit, Elizabeth
This paper presents findings from a study conducted in the Department of Art and Industrial Design, Kyambogo University. The study was premised on the theoretical concepts of “learning to learn” and “learning by doing” as vocational education and training (VET) models that guarantee students’ full participation towards the development of professional competence. A participatory action research model was used to carry out this study using qualitative methods of data collection and analysis. Data was collected from thirty-five (35) study participants consisting of 25 students, three Alumnus, four instructors, one technician, one departmental administrator and one expert from the world of work. Individual interviews, document analysis, observation and focused group discussion meetings were used to provide descriptive data for content analysis. Study participants revealed that the graduates of interior design lacked both professional confidence and practical competencies due to inadequate practice. Consequently, the stakeholders democratically identified two intervention strategies for enhancing students’ hands on experiences; a skills lab and the project-based learning approach. The study’s intervention strategies were progressively implemented over a period of one year. The evaluation findings of this study revealed that the interventions enabled students to acquire confidence, more knowledge and professional competencies in interior designing. Project-based learning enhanced team work among all the stakeholders and individual learner’s participation in project tasks, thus the success of the study.
Enhancing well-being at the household level :
(Routledge, 2013) Emmanuel, Mutungi; Tony, Ghaye
The purpose of this chapter is to explore the extent to which four impor- tant informal economy “craft” activities (pottery, carving, basketry and iron work), which constitute what we call “material culture” have the potential to enhance well-being at the household level in 10 districts of the traditional Ankole Kingdom of S.W. Uganda. In doing so, we seek to determine how far these informal activities might play a significant role in poverty reduc- tion and what transferable lessons might be learnt. Research shows that in Uganda, most of the poor people live in the informal economy and work in small, informal businesses and that there are correlations between poverty and informality (Keene-Mugerwa 2006). Ocici (2006) further posits that the informal business dominates the private sector in Uganda. Many of the businesses (approximately 97%) are not registered and 80% of the citizenry are employed in the sector. More than 80% of the population lives in rural areas (UBOS 2010) and integrate traditional skills and knowledge for their livelihood. Our general and underlying purpose is to explore these links, or corela- tions, because of our concern for the well-being, interests and agency of local people and their participation in informal economy activities that pro- motes the benefits of material culture.
Exploration of fiber from Sansevieria plant fibers in Uganda
(Kyambogo University (un published work), 2017-12) Ssebuguzi, George
The purpose of this study was to explore the possibilities of using sansevieria plant fibers as a material for the production of textile woven products. The researcher noted that communities in Masaka Bukomansimbi district have continued to use synthetic fibers in production of hand woven products. The objectives of the study were to examine the process of extracting fibers from the sansevieria plant, to explore possibilities of using sansevieria fibers as a material for weaving and to use sansevieria fibers to produce selected home interior decor products. The study was qualitative in nature and employed a cross sectional research design. Data was collected uing interviews, observation, photography and studio experimentation. Findings revealed that sansevieria plant can produce fibers which are ideal for use in textile weaving. The study experimented with the fibers in production of items for home decor. The outcomes of the study were tapestry rugs; door and floor mat, plain woven table mats, pile wall hanging, macrame flower holders and twill chair cushions fabrics. The study concluded that sansevieria plant can support the weaving industry through the use of its fibers and highly recommended its use in Masaka Bukomansimbi District for production of natural fibers products for commercial purpose
Exploring motifs for textile decoration from Kiga indigenous cultural icons in south western Uganda
(Kyambogo University, 2019-11) Niwatuhereza, Elly
The purpose of this study was to explore possibilities of using motifs derived from Bakiga cultural icons for textile decoration using both weaving and screen printing as production techniques. The study aimed at achieving the following three objectives; to identify the Bakiga icons that could be used as inspiration for textile decoration, to develop motifs inspired by selected Bakiga icons for textile decoration, and to use both weaving and screen printing as production techniques of motifs from selected Bakiga icons for textile decoration. The study is grounded on the Cultural Identity theory as it sought to create avenues that communicate cultural values and as such employed an Ethnographic research method and an exploratory design. Following the objectives, the research employed In-depth Interviews, Direct Observation, Photography, Documentary analysis and Studio practice methods to investigate into the study. The investigations of this research revealed that most human societies largely used surfaces and forms of artefacts to communicate their practices, norms, traditions and beliefs and it realized that the Kiga people had a wide range of artefacts that bore icons which carried messages of cultural importance. Indeed, the wide range of icons noted on the Kiga artefacts provided a rich base of inspirations that were used to generate motifs for decorating textiles. Data collected from respondents revealed that textiles decorated with iconic motifs work largely as drivers of communication as opposed to merely giving an esthetical value. Based on this key finding the study highly recommended that rather than using textile decorated with motif that reflect foreign images, using textiles with motifs that drive meaning to our societies would support sustainability, reserve and teach cultural values.

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