School of Art and Industrial Design

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Development of decorative motifs for floor and wall ceramic tiles derived from ganda material culture
(Kyambogo Univiserty(unpublished), 2011-12) Orijabo, Silas Oyo
This study set out to develop decorative motifs for floor and wall ceramic tiles derived from Ganda material culture. The significance of this study is the promotion of Ugandan culture through production of decorative tiles using Ganda material culture as motifs. This will keep the Ugandan culture alive through educating the young and upcoming generation by decorating the tiles using the designs from the indigenous crafts of Uganda specifically the Ganda material culture. The study set out to produce sample tiles with decorative motifs inspired by pottery from Ganda material culture. The study design was an exploratory intervention into developing decorative motifs for floor and wall ceramic tiles. Data was collected from the field using questionnaires for Ceramic dealers and masons (builders) within Kampala city, while interviews were conducted for selected individuals in order to collect information on the history of imported tiles and their use within Uganda. The process of studio work was closely supervised to register findings/results. A number of findings were registered, most of which confmned to the development of creative use of decorative motifs for floor and wall ceramic tiles derived from Ganda material Culture. From the findings, conclusions were drawn one of the major ones being that the use of Ganda material culture is of the essence in transmitting creative use of traditional culture in decorating floor and wall tiles. Finally, several proposals which were made aimed at highlighting the creative use of traditional culture to decorate floor and wall ceramic tiles in Uganda.
Material culture exploration for motion graphics (Uganda)
(Kyambogo University(unpublished), 2012-08) Katungi, Juma
Cultural beliefs and traditions are central aspects of Ugandans (Uganda National Culture Policy, 2006, page 2) affirms that Uganda has a rich and diverse cultural heritage. On the contrary observation of the television channels and other forms of multimedia communication depicts that the culture of the people is not reflected in the imagery used in form of graphics despite the high value attached to culture by the clients and consumers of these services (TV). It is on this basis that the current study set out to interrogate the present usage of material culture of Uganda as possible content for television motion graphics. The study was guided by the following objectives; 1. Examine the characteristics of the existing motion graphics used by a selected television company. ii. Investigate the cultural significance of selected Uganda material culture. iii. Develop comparative motion graphics inspired by selected material culture. iv. Document the findings of the research. Carrying out this study was important in a sense that it will pave away into the usage of images of material culture of Uganda by television channels and this will enhance the cultural attachment and the appreciation of imagery used in motion graphics by the Ugandan television viewers. The study was done through a studio-based study by exploring material culture to develop motion graphics for televisi9n. This registered great success and it has greater room for further exploration. The government in its culture policy and other stake holders like UNESCO should take on incorporating the use of material culture aspects with technology so as to take it to another level of appreciation that embraces all generations.
Enhancing well-being at the household level :
(Routledge, 2013) Emmanuel, Mutungi; Tony, Ghaye
The purpose of this chapter is to explore the extent to which four impor- tant informal economy “craft” activities (pottery, carving, basketry and iron work), which constitute what we call “material culture” have the potential to enhance well-being at the household level in 10 districts of the traditional Ankole Kingdom of S.W. Uganda. In doing so, we seek to determine how far these informal activities might play a significant role in poverty reduc- tion and what transferable lessons might be learnt. Research shows that in Uganda, most of the poor people live in the informal economy and work in small, informal businesses and that there are correlations between poverty and informality (Keene-Mugerwa 2006). Ocici (2006) further posits that the informal business dominates the private sector in Uganda. Many of the businesses (approximately 97%) are not registered and 80% of the citizenry are employed in the sector. More than 80% of the population lives in rural areas (UBOS 2010) and integrate traditional skills and knowledge for their livelihood. Our general and underlying purpose is to explore these links, or corela- tions, because of our concern for the well-being, interests and agency of local people and their participation in informal economy activities that pro- motes the benefits of material culture.
A studio experimentation of intregrating text and image into painting based on selected ganda proverbs
(Kyambogo University [unpublished work], 2013-07) Semiyagi, Allan Samuel
The study examined factors limiting integration of texts and images based on Ganda proverbs to effectively communicate social. Political, economic and cultural issues as expressed in painting in the Greater Metropolitan Kampala. The study was based on exploration of the relationship between images derived from Ganda proverbs to create paintings. A qualitative approach as employed to support this exploratory survey. The exploratory research design used a formative approach that required a different position to the understanding of the status of using painting text and image in Uganda. It also called for an applied approach intended to facilitate an intervention into the stated problem by initiating studio practices and applying proverbial texts and images integration into paintings. The results established the factors that limit the new painterly approach to the integration of text and image using Ganda proverbs. Artists who that combine text and image based on proverbs were recognized. The study identified and selected specific 'Ganda' proverbs that were used to articulate text and image in studio paintings. The data was collected from across a section of people with different knowledge and background, using stratified and purposeful sampling techniques. The same process was used to select the Ganda proverbs. In order to acquire primary data, the study used experimental visual observation to establish the role of text and image in Ugandan paintings. This also allowed the researcher to examine the existence or non existence of text and image in the present paintings and other arts such drawing. With reference to the entire guide hook, the collected data regarding the text and image in painting based on Ganda proverbs will be found substantially different from those that preceded it. Texts and images based on the Ganda proverbs have been used in a symbolic approach to translate the linguistic, economic and socio-political aspects that would not only speak to uninformed but also to those who were only literary aware of the selected proverbs. The paintings aimed to lift up the morals of the whole community, and are ideally suited to the public spaces, Town halls and homes thus inspirational and educational sort of genre. This study further explored the value of musical instrument from Ganda culture in both realistic and abstract, and enhancing them with text. It could be any text but on this incident, it was proverbs (selected) from Ganda verbal communication which served two purposes of contribute to a compositional aspiration and because of their meaning, they strengthen the cultural content embedded in the paintings.
Ceramic ware with forms and decorations derived from selected Uganda's fauna
(Kyambogo University[unpublished work], 2013-08) Namara, Grace
The purpose of this study is to use Uganda's material culture with specific reference to fauna as a source of inspiration to enhance ceramic ware in terms of form, decoration, promotion and preservation of Ugandan culture. The research is born out of the fact that the researcher has been observing that many of the ceramic items produced or imported in Uganda have forms that are largely geometric, besides; the decorations mainly reflect images derived from fauna or flora from foreign regions other than Uganda. The researcher thought that the research would come in handy and help to address the problem by sensitizing artists and porters about making ceramic pieces using fauna from Uganda as a source of inspiration. The study was based on the following objectives: • Identify common fauna that can be used as a source of inspiration m ceramic art production to portray a Ugandan culture. • Ascertain ways in which ceramic artists in Uganda have used fauna as a source of inspiration to produce ceramic pieces portraying Ugandan culture; • Produce studio based ceramic ware using the selected fauna as source of inspiration. Following the above objectives, the practical part of this study started with analysis of fauna, as a result Uganda Kob and the Ankole cow were identified as the animals that would be used in this research. Studies of the selected fauna were made; this enhanced the researchers' understanding of different forms which were later used to create ceramic forms and decorations.
Turbulent times in Uganda from 1962 to 2008: a sculptural interpretation of the education sector.
(Kyambogo University [unpublished work], 2014-02) Barya, Kananura Elly
Uganda has gone through turbulent times from 1962 to 2008. This was because of the nature of politics especially after Independence. These turbulent times have affected negatively most sectors. The purpose of this study was to explore through sculptural forms how these turbulent times affected the educational sector. The study was qualitative and exploratory and descriptive in nature. The study reviewed a number works in the same category whose photographs are included in this research. It involved 60 participants who were taken from different institutions of higher learning and conversant with sculpture and the history of Uganda. The study covered Luwero triangle and some parts of the Northern Uganda. The information from respondents was interpreted through sketching, studio work and sculptures capturing the turbulent times produced. The findings which are presented through three dimensional (JD) sculptures show that education like any other sector was greatly affected. That school infrastructure and scholastic materials were destroyed. These families were displaced and life lost. This led to loss of homes, stress and lack of concentration. The study found out that although government has since tried to restore the education sector with infrastructure which gives people hope, there are few permanent visual reminders that would deter the occurrence of the same situation. The study further found out that all these are not properly communicated to the people. The study recommended the introduction of sculptures depicting what happened such that people do not repeat the same.
Exploring the usage of beads as material for art production in buganda region.
(Kyambogo University [unpublished work], 2014-05) Gorret, Nakato Mary
Use of beads as material for art production has not been effectively exploited by formally trained artists. There are minimal efforts made in the use of beads as material, especially by untrained artists particularly in rural areas who produce ritual related religious crafts work connected with traditional African social-cultural practices. The study was designed to explore the studio possibilities of experimenting with beads as material for art production among the Baganda. The study analyzed the characteristics of beads as material for art production, their traditional usage in Buganda region, factors affecting the usage of beads as material for art production among Ugandan artists, and produced a body of art work using beads as material. The study was qualitative and used exploratory descriptive methods. It involved 25 respondents whose input was transcribed and developed into art works. The study produced a number works that depict how beads can be used as material for art production. It recommends more research in other materials so as to broaden the spectrum of art materials. It recommends use of other sources of inspiration, more research into use of beads in other disciplines of art. Recommends government participation in developing art in the country.
A studio exploration of embroidery for the production of wall hangings using basketry as a source of insipiration.
(Kyambogo University [unpublished work], 2015-05) Nanyunja, Ruth
The purpose of this study was to explore the studio possibilities of using embroidery in the production of wall hangings, using basketry as a source of inspiration for wall hanging ideas. The study arises out of the researcher's observation that embroidery as a technique for fabric decoration has not been fully explored in the production of wall hangings, and therefore the need to explore hand embroidery and place its appreciation into the Art and Design industry. In the process of this research the researcher explored different embroidery stitches on different surfaces. The design inspiration for this study was drawn from basketry. It was realized that most Ugandan cultures have an inexplicable connections with the baskets, Basketry features in nearly every aspect of peoples lives which aspects have been used as a basis for developing wall hangings. Based on qualitative research design, the researcher analyzed data from both the researchers design processes and the respondents points of views. The research findings reveal batiks, prints, mosaic and wooden carving being the existing available wall hangings and embroidery being used to decorate items like table cloth, caps and T-shirts. The recommendation emerging from the study is a general call to artists to explore the use of embroidery technique in terms of style and material, for rich, and exciting products can be produced using embroidery.
A studio exploration of selected material culture of the karamajong for fabric decoration.
(Kyambogo University [unpublished work], 2015-05) Nakuya, Gita Spranza
The guide book has covered and made a studio exploration of selected material culture of the Karamajong for fabric decoration with specific reference to marriage. In this study, the researcher was envisaged by the need to utilize the Karamajong material culture for sources of inspiration in fabric decoration. The researcher realized that many artists may not have fully utilized the symbols, form and colours of the Karamajong marriage ceremony and went further to exploit it further through studio exploration. Five artifacts of the Karamajong marriage ceremony were selected for fabric decoration and these included: walking /ceremonial stick for prestige and honor, stool slung over the arm, for sitting and resting, Headdress for identification and beautification, bangles, beaded necklaces, earrings for identification and beauty, and calabashes for butter to be smeared on bride and groom. These were used for motifs and then later applied on fabrics using the screen printing techniques. The study was guided by four objectives which included the following: to identify the marriage artifacts of the Karamajong, to analyze the symbols of the marriage artifacts, to establish the characteristics of selected artifacts and to produce studio works in fabric decoration. The study reviewed various artworks done by several artists in the literature review where gaps had been identified as regards material culture artifacts. The researcher used both the exploratory and qualitative research design. The researcher went further to use the library/archival, interviews using questionnaires for fifty (50) Karamajong respondents, participant observation and studio experimentation. For studio experimentation, the researcher observed through photography and these were made into drawings to finally motifs using the five marriage artifacts of the karamajong. She further used the screen printing technique and specifically applied the basic elements of design: colour, shape/form, and texture to portray the beautiful artifacts of the Karamajong marriage ceremony, that may have been ignored, for fabric decoration. Final fabrics were later transformed for three dimensional products of furniture, fashion, soft furnishing, and bags. Finally, the study might help students; artists arouse interest in utilizing material cultural artifacts such as the Karamajong marriage ceremony, for any sources of inspiration in any artfield. This may help to pmiray the value of a culture to the world by producing final products which are unique, original in appearance.
Female body as a source of inspiration for sculptural ideas depicting conflicts in Uganda
(Kyambogo University [unpublished work], 2015-12) Nakidde, Nuulu
Over two decades now, Uganda has experienced forms of conflicts that have affected its citizen in different ways, especially after independence of 1962. The purpose of this study was to investigate the possibility of using the Female Body as a source of inspiration for sculptural ideas in stone depicting conflicts in Uganda. It was done for the need to widen the use of the female body in sculpture and obtaining new materials for sculptors during the production process. The study covered Uganda as a whole but narrowing to selected areas of Kampala and Wakiso districts. The objectives of the study were; Selection of artists who have used the Female Body as a source of inspiration, To establish factors limiting Ugandan artists creating sculptures using the Female Body as a source of inspiration To produce sculptural ideas in stone dust depicting conflicts in Uganda using the Female Body as a source of inspiration. The study used qualitative reseach design. It involved 60 participants who were conversant with the use of the female body as a source of inspiration and the history of conflict in Uganda, who were selected using convenient and purposive sampling techniques. Information obtained was interpreted through sketching and studio work capturing conflicts in Uganda. The research findings were presented through three dimensional (3D) and two dimensional (2D) sculptures depict causes, effects and remedies of conflicts in Uganda. In coercive governance, it was found out that the act was generating a disconnection between leaders and their subjects, many agencies coming in to sensitize the population about the rights regarding good governance as illustrated in plate XXX. The study found out that the female body has not been taken seriously as a source of inspiration for sculptural ideas depicting conflicts. The study recommends that more studies should also be carried out using the female body to portray the other types of conflicts.
A studio exploration of Sculptural images inspired by Breastfeeding
(Kyambogo University [unpublished work], 2015-12) Monica, Zawedde
Breasts are two protruding organs on the upper front of a woman's body that secrete milk after pregnancy. The act of breastfeeding has been defined as the normal way of providing young infants with nutrients they need for health growth and development. This research presents a studio exploration of possibilities of using the art of human breast feeding and the symbolisms associated to it as a source of inspiration in the creative development of sculptural art works. Therefore, the study focused on exploring studio possibilities of using sculpture as a means of communication to promote breastfeeding among mothers in Uganda. The researcher analyzed a selected art works by renowned artists on breastfeeding as well as the symbolisms surrounding the act in Uganda; the researcher derived themes, and created communicative sculptural art works inspired by the act of breast feeding. An exploratory research design was used. The population of this study involved Ugandan mothers either currently nurturing or who have nurtured children as well as secondary factors that have influenced their act of nurturing infants. A selection of these was sampled using random sampling techniques to collect relevant information that aided this study. Such information was collected using interviews, observation, documentary analysis and photography. Having carried out this research, it is hoped that the findings of the study would inspire the general public to have a positive attitude towards breast feeding. The findings added to the existing body of knowledge and it would act as a reference for the curriculum developers. The researcher recommended that: Sculptors need to do more research into other sources of inspiration that are based on the subject of motherhood. Government should encourage such initiatives if it is to attain its objective of empowering mothers/the girl child. Help society to understand the nature of the contribution, mothers render to this nation. In conclusion, Sculptural art works depicting breast feeding were designed in the studio and exhibited to the public. These were discussed in relation to the formulated objectives of the study.
Generating graphical symbols from Lango abuda dance for documentation and awareness campaign in Uganda.
(Kyambogo University [unpublished work], 2015-12) Ojwiny, Jameson Sam
The general purpose of this study was to generate graphical symbols from the Lango abuda dance for documentation and awareness campaign. The dance is for entertainment as well as communicating social issues such as petitions, women emancipation, youth development and relationship building to the audiences. It is generally conserved as performances, audios and videos. However, there is lack of graphical documentation of the dance on the societal issues mentioned above. Because of this shortfall, the researcher decided to use the dance as a source of inspiration to generate graphical symbols that could be used to communicate these societal issues as well as producing documentation for awareness campaign. The objectives of this study catered for three major areas. These are; to analyze the possible ways of generating the graphical symbols from Lango Abuda dance; to produce the final studio based graphical symbols that would communicate societal issues and finally, produce a catalogue as a document for awareness campaign. The practical methods such as directed visual observations, photography, videos, interviews and studio experimentations were used in executing the design tasks. In studio practice, the researcher redrew the abuda photographic images and developed them into the layout graphical structures by combining the images, color and text to give a message. The findings of this study showed that both images and messages from the abuda environment provided rich sources of inspiration that contributed so much during studio experimentation. In addition to that, the handmade sketches provided very good guides for computer design. The sample works of previous designers also aided the practical work. The researcher produced a catalogue showing the final abuda graphical symbols as a document for awareness campaign. In conclusion, the researcher recommends that both governmental and non-governmental bodies need to strengthen and encourage the exploitation of our cultural performing arts for generating graphical symbols for visual communication.
Soot as a Medium for Drawing
(Kyambogo University [unpublished work], 2015-12) Mayanja, Richard Weazher
The study carried out; "A studio exploration into possibilities of using soot as a medium for Drawing". It was intended to investigate practical ways that can qualify soot as an exceptionally recommendable medium of drawing. The study was conducted under three objectives; (a)To examine how acclaimed visual artists have applied soot as a medium in drawing, (b)To establish attributes that can aid the use of soot in drawing as a discipline, (c)To experiment with the potentials of soot and produce drawings . The study used experimental survey structure to investigate into potentiality of soot in drawing through application of various techniques and selected proverbs as an underlying direction of meaning. To fulfil objective a and b, the researcher used interview, direct observation, Library and archival survey methods selected population; thirty (30) respondents and thirty (30) artworks from acclaimed artists respectively . The information from that population guided the researcher during studio experimentation in fulfilment of objective c. Basing on the related literature, the study discovered no acclaimed artist in Uganda has ever experimented with soot to create drawing projects and it is minimally used by artists in the rest of the world with no proper documentation revealing their studio processes. The finding for objective c; through surface as a drawing attribute comprising of bond papers, canvas, plywood, and mounting cards, revealed that soot is a medium that can be used to register designs. The study further revealed that wavy, smudging, hatching and automatic under the technique attribute can be attained by dragging different tools on surfaces. The third attribute which is media comprising of chalk, charcoal, powder colours used in some compositions to complement soot the primary medium revealed that soot is a medium that can easily blend with other media. Soot also exhibited the remarkable potentiality to portray Content in the study which was based on following Selected Ganda proverbs inspired by musical instruments; Endege ziba nyingi neziyogaana and Engoma ennene weri entono tevuga. The Ganda musical instruments like Endege (rattles), Ensaasi (shakers) and Engoma (drum) were selected as inspirational objects to enhance the study and soot was still profound in capturing their form and creates a sense of depth. The findings in this guide book which are presented in both text and photographic formats were interpreted in consideration of techniques, surfaces, media and content attributes. They affirm soot to be a commendable medium for drawing. The research in an investigative sense was limited to behaviour of soot of few selected surfaces and media. Therefore this study recommends further research in a need to find out its reaction on other materials like stones, glasses, plaster and media which are outside the scope of this study.
Application of natural dyes extracted from plants on cotton fabrics using the Screen printing technique
(Kyambogo University (unpublished work), 2016-10) Muwaya, shafick
In this study experimented with the usage of natural dyes extracted from plants to decorate sample fabrics using Screen printing technique. This research were guided by the following objectives: I . To analyze various plants in Uganda for extraction of dyes to decorate fabrics using screen printing technique. 2. To extract natural dyes that can be applied on to cotton fabric using screen printing technique 3. To experiment with natural dyes to decorate fabrics using screen printing technique. 4. To produce screen printed sample fabrics using natural dyes. The study focused on seven plants namely, sweet potatoes, yam (balugu), turmeric (ldnzali), Momordica foetida (boobo), bidens pilosa (ssele), Madder (Manjistha) and vernoma amygdalina (mululuza). The researcher extracted colorants using the local methods of extraction. In chapter two of the study showed that they were many methods of extraction. The different methods for extraction of coloring materials were Aqueous extraction, Alkali or acid extraction, Microwave and ultrasonic assisted extraction, Fermentation, Enzymatic extraction, Solvent extraction, Super critical fluid extraction however, the researcher used local ways of extracting dyes from plants like pounding, squeezing, soaking and boiling the different parts of the plant because it had an advantage over the acid extraction which is harmful to the human health. The study experimented with different three recipes as shown in table one and also used four thickening agents which were sodium alginate, gum Arabic, textile thickener and book binding gum. All the three yielded the same results on the Colour fastness to washing. However, book binding glue was not good on the print sharpness when using vernonia amygdalina. The study used the recipes in table one the researcher formed printing paste which was used to print sample fabrics. The study also used a direct photographic method of screen
A graphic approach to using selected ganda proverbs for transitional career guidance in secondary schools, Uganda.
(Kyambogo university [Unpublished work], 2016-12) Lule, Emmanuel Patrick
The purpose of this study was to enhance Career Guidance and Counselling by fusing precolonial cultural proverbs that inform transition as a component of Career development through graphic visual means. The study aimed at achieving the following objectives; 1. To establish the Ganda proverbs with meaning that address transition as a component of career development. 2. To explore possibilities of depicting transition through symbolic images. 3. To produce Graphic visuals that inform about transition guidance and counselling in secondary schools, Uganda. A qualitative study was done in order to fulfil the objective above; Three Ganda Proverbs that inform transition were selected from 969 proverbs. The selected Ganda proverbs were depicted through symbolic images which were pretested among thirty-six respondents from three selected schools with proverbial mottos (Kings College Buddo, Nabisuunsa Girls School, and Kyambogo College School) within Kampala and Wakiso district. Through studio practice, the researcher produced graphic visuals in a number of production techniques and methods which determined the type of materials that were used. The graphic visuals produced depict an option of enchasing Career Guidance and Counselling through the integration of indigenous cultural approach and visuals with images developed from known experiences and observations from nature. It further revealed that proverbs are a well of wisdom that relate to all situations experienced by individuals and can be used as inspirations for visual therapy to positively impact learners. Therefore, this study recommends further research in the use of oral literature in visual communications that impact peoples ' abilities.
Decorative wall hangings made out of fabric off cuts using the collage technique.
(Kyambogo university [Unpublished work], 2016-12) Luutu, Nakamya Assumpter
The study explored the different possibilities of using fabric off cuts to produce decorative wall hangings using collage technique. The study was conducted under three objectives that sought to( a) to the usage of fabric off cuts for the production of wall hangings using the collage technique,(b) to analyze the usage of different collage techniques for the production of decorative collage wall hangings (c) To produce decorative wall hangings out of fab1ic off cuts composed in different patterns that appeal in diverse ways using the collage technique The study employed the descriptive design, to investigate the potential of fab1ic off cuts in development of decorative wall hangings using the collage technique. To fulfill objectives a and b, the researcher used interview, direct observation, library, and archival search methods, c, studio experimentation The information from that population guided the researcher during studio experimentation. The study observed that a few visual artists in Uganda have experimented with fabric off cuts to develop wall hangings. Fabric off cuts are minimally used by artists for the creation of wall hangings because they are so much attached to using paint that they do not realize the beauty of fabrics thrown away as. The various types of fabric off cuts, differently textured, colored, shaped and patterned revealed that fabric off cuts is a material that can be used to register designs. The accessories comprising of wooden buttons, plastic buttons, glass beads and wooden beads used in some compositions to complement fabric the primary material revealed that fabric is a medium that can easily blend with other materials. The study findings are presented in both text and photographic formats which were interpreted in consideration of techniques, material and content attributes. They affirm that fabric off cuts is commendable material for wall hanging production using the collage technique. The research study was limited to use of fabric off cuts with a few other selected accessories. This study recommends further research on other accessories like leather, metal and other materials which are outside the scope of the study.
Exploration of fiber from Sansevieria plant fibers in Uganda
(Kyambogo University (un published work), 2017-12) Ssebuguzi, George
The purpose of this study was to explore the possibilities of using sansevieria plant fibers as a material for the production of textile woven products. The researcher noted that communities in Masaka Bukomansimbi district have continued to use synthetic fibers in production of hand woven products. The objectives of the study were to examine the process of extracting fibers from the sansevieria plant, to explore possibilities of using sansevieria fibers as a material for weaving and to use sansevieria fibers to produce selected home interior decor products. The study was qualitative in nature and employed a cross sectional research design. Data was collected uing interviews, observation, photography and studio experimentation. Findings revealed that sansevieria plant can produce fibers which are ideal for use in textile weaving. The study experimented with the fibers in production of items for home decor. The outcomes of the study were tapestry rugs; door and floor mat, plain woven table mats, pile wall hanging, macrame flower holders and twill chair cushions fabrics. The study concluded that sansevieria plant can support the weaving industry through the use of its fibers and highly recommended its use in Masaka Bukomansimbi District for production of natural fibers products for commercial purpose
Creating culturally based bridal adornments from selected Ankole motifs
(Kyambogo University(Unpublished work), 2017-12) Arinaitwe, Nkiziibweki
The Banyankole have kept okuhingira (the giveaway ceremony) as an important function, yet body adornments used during okuhingira do not clearly depict the Kinyankole culture. Since the ancient times, personal adornment has always played a vital role in every part of the world. However, creating body adornments rooted in the individual and specific cultures, and integrating them in contemporary designs that come with global fashion of attires and body adornments which are influenced by the Western designers has remained the greatest design challenge of African artists. Whereas the indigenous motifs are embedded with meaning intended for that particular community, are colorful and can be a symbol of identity, Africans are tom between the local (usually considered as for the poor) and the imported- "already made" (usually considered high quality and trendy for the rich). This study therefore aimed at developing bridal adornments inspired by traditional exterior decoration motifs of Banyankole in South Western Uganda that can serve both traditional and contemporary interests. The study, which was qualitative and descriptive, targeted the Banyankole brides and the bridal entourage. Ten respondents were purposively selected and interviewed. More so, observation, photography and secondary sources were employed to enrich the data. The collected data were interpreted using studio practice such as sketching and drawing to develop designs from the selected motifs which resulted into three sets of bridal adonunents for the bride, the matron and the maid. The products were tested on five brides to be and one bridal shop to establish their readiness for use. The study recommends the use of indigenous designs such as traditional motifs in the contemporary bridal adonunents for posterity as well as unique beautiful designs.
A studio exploration of paintings to conserve the shoebill bird species in Uganda
(Kyambogo University (un published work), 2017-12) Kibazo, Hashib
The purpose of this study was conserve the hoebill bird species in Uganda by documenting its life through studio possibilities in painting'·. The study was guided by three objectives: (I) To identify the major threats affecting the Shoebill. (2)To analyze how different visual artists have used the Shoebill in their deigns (3) To articulate the life of a shoebill through different studio possibilities in painting. The study \\as carried out in Kampala and Wakiso District where (28) respondents were purposively elected. The study was experimental in nature and the research methods included: interviews. observation. library and archival survey. photography and studio exploration. A total of sixteen ( 16) experiments were carried out and data was recorded and analyzed qualitatively) using the narrative method . Data was disseminated through exhibition and catalogues. The findings revealed a worrying state of birds in general and the Shoebill in particular; and the need for immediate conservation. The study further discovered that human activities are the major threats to birds. Such activities include hunting. destruction. fragmentation and degradation of habitats among others. The researcher hopes that the studio explorations will go a long way in helping the conservation of the hoebill and other bird species in Uganda as well as providing relevant information to but not limited; the community, artistic fraternity. scholars researchers. academicians. Government Authorities and wildlife agencies.
Studio exploration of elected ganda material culture to develop muleera on a kanzu for mmamba clan members
(Kyambogo University (unpublished work), 2017-12) Mugula, Jude
The general purpose or this study was to explore and develop " Muleeru" patterns inspired by selected Ganda materials culture (Mmamba Totem) and use them to decorate Muleere Kanzu for the Mmamba clan members. In pursuant of this purpose. the set objectives played a guiding role and these objectives were; i) To examine the significance of existing Kanzu Muleera patterns and designs used by Ganda people ii) To establish the cultural significance of Mmamba totems to clan members and its influence on the clan’ structural organization iii) To develop and produce studio based. Muleera Kanzu for Mmamba clan members with patterns and designs inspired by Mmamba totems images Following the objectives mentioned above. the research employed various Instruments to investigate into the study. These were: interview guides. Photography. Observation. library and archival survey and through these tools and instruments. Information about the existing Kanzu Muleera patterns and designs used by Ganda people. the Mmamba (lung fish)and its attachment to the clan members. the clan organization structure as well as the techniques. Methods used and materials required in the process of designing Kanzu Muleera were gathered. The investigation of this research revealed that the Kanzu Muleera has strong attachment to Ganda people but lacks the specified identity element for specific cultural groups a gap that this research aimed to fix using the Mmamba clan as a source of inspiration. The studio based Muleera Kanzu with patterns and designs inspired by the Mmamba totemic images attached high attention from all those that happened to see them including some of the Mmamba Clan and Buganda Government officials. The idea appeared highly accepted a response that indicated an accomplishment of the targeted purpose. In light of this study set out conclusions and recommendations. Which among others highlighted that the existing Kanzu Muleera was largely of cultural importance and that the clan and kingdom leadership need to gazette the Kanzu designs as a way of protecting and preserving the Ganda identity. The key recommendation of this study emphasizes promoting and supporting identity of the Ganda values and norms through material culture such as the Mmamba specified Kanzu Muleera.

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