Masters Degree Dissertations

Permanent URI for this collectionhttps://hdl.handle.net/20.500.12504/304

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Cultural branding: an awareness campaign to link traditional mursik drink with sebei millennials
(Kyambogo University (Unpublised work), 2024-12) Chelangat, Dewos
The purpose of this study was to create an awareness campaign for the Sebei Mursik cultural drink using graphic design approaches to popularize it among Sebei millennials. The study was significant because it bridged the gap between Sebei millennials and Mursik drink through awareness campaign. The objectives of the study were to Establish the attributes and cultural significance of Mursik cultural drink; To explore how the attributes of Mursik Cultural drink can be reconfigured into graphic symbols and design an awareness campaign for Mursik cultural drink through use of reconfigured symbols towards popularizing it among Sebei millennials. The study used ethnographic research design and was carried out in Tegeres, and Amanang in the Kapchorwa and Bukwo districts respectively. A total of 43 respondents including Traditional leaders, millennials, Mursik producers, and graphic designers were purposively selected to participate in the study. Data was collected using in-depth interviews and analysed through studio experimentation. Findings revealed that Mursik is of great significance in the Sebei culture which includes Bridal Purity, Identity, Love and respect, Parenting, Hospitality, Blessing, and stamina among others. Findings further revealed modernization and urbanization greatly eroding Mursik culture hence unpopular among Sebei millennials. finding meant that Mursik was still important in modern life and the study conducted an awareness campaign for Mursik drink through reconfigured symbols to popularize it among Sebei millennials. The study recommends further research on graphic strategies to create awareness of cultural norms and practices keep it popular in modern society through visual communication.
Barkcloth as a material for garment production for groom identification at Baganda kwanjula ceremonies
(Kyambogo University (Unpublished work), 2025-11) Bigirwa, Rinah Blessing
This study explored the possibilities of using barkcloth (olubugo) as a material for creating wearable garments that identify the groom during Baganda Kwanjula (introduction) ceremonies. Barkcloth holds significant cultural and spiritual importance among the Baganda. Still, its role in the production of contemporary attire, especially garments used by Senga to identify the groom, has been minimally explored. Today, grooms are often adorned with artificial flowers and makers, which lack cultural symbolism and visual clarity. The purpose of this study was to explore and design culturally meaningful wearable garments using barkcloth that distinctly identify the groom during kwanjula ceremonies. The study was led by three specific objectives: to examine the different types of barkcloth used by the Baganda, to explore surface decoration techniques that enhance the aesthetic appeal of barkcloth, and to design suitable garments that reflect the groom’s status and identity during the ceremony. The research is grounded in material culture theory, which emphasizes the symbolic and functional meanings of traditional materials in contemporary society. A qualitative approach was selected as a research design because the data collected were non-numeric, including text, video, and audio. Semi-structured interviews, participant observation, library research, studio experimentation, and photography were employed during the data collection process, contributing significantly to data triangulation. A sample of fifteen participants, including barkcloth makers, barkcloth dealers, cultural masters of ceremonies, and tailors specializing in men's ceremonial wear, were selected from the Bulange, Mengo, Kampala district. These participants were selected purposely to provide stimulating and insightful experiences with the phenomena under study. The study findings revealed that barkcloth varies in texture, thickness, and quality, which influences its suitability for garments. In studio work, the researcher experimented with surface decoration techniques such as reverse appliqué, embroidery, patchwork, pleating, slashing, and tie-dye, using motifs from the traditional spear to symbolize leadership and identity. The final garments included wearable accessories such as scarves, sashes, throws, waistcoats, and caps made from barkcloth, designed to identify the groom while ensuring comfort, durability, and cultural authenticity. This study concludes that barkcloth can be transformed through contemporary design methods without losing its traditional essence, contributing to sustainable fashion, cultural preservation, and the renewed use of indigenous materials in Ugandan ceremonies.
Othering contemporary visual arts: a case study of selected secondary schools in Gulu district, Uganda
(Kyambogo University (Unpublished work), 2024-12) Ayaa, Constance
This study investigated the othering of contemporary visual arts within selected secondary schools in Gulu District, Northern Uganda. It explored teaching methods, barriers to student proficiency, and the relevance of this discipline. Using a case study approach, the research involved 52 teachers and 2 personnel from the Gulu District Education Department, selected through purposive sampling. Data collection comprised interviews and observations, analyzed through content and thematic analysis. Findings revealed diverse teaching strategies, but challenges such as marginalization, resource constraints, and a lack of qualified instructors persisted. Shortcomings in curriculum implementation and socioeconomic factors aggravated these challenges. Despite obstacles, art education is valued for fostering cultural expression, identity exploration, and critical thinking. The study recommends tailored training programs for art educators and further investigation into their qualifications. Overall, it provides insights and recommendations to enhance contemporary visual arts education in the Gulu district's secondary schools.
Upcycling textile waste into baby carriers for young mothers in Makindye, Kampala district
(Kyambogo University (Unpublished work), 2025-11) Ainembabazi, Martha
Uganda's growing urban textile waste issue presents both an environmental challenge and an opportunity for sustainable innovation. Despite their potential for reuse, old household textiles are often thrown away, especially in low-income areas where resources are scarce. However, these textiles could be repurposed to create useful products for the community. For example, young mothers in the care of their infants. Using a circular design approach, the current study aimed to develop baby carriers for young mothers in Makindye division to improve their ability to care for their babies while also contributing to protecting the environment. The study explored how household textile waste could be upcycled into cost-effective, versatile, and sustainable baby carriers suitable for new mothers. It also aimed to identify surface decoration methods that enhance aesthetic and cultural appeal, and employed participatory studio practices to create user-informed prototypes. Data was collected through interviews, observations, and hands-on studio experiments within a case study framework guided by an exploratory qualitative methodology. Participants included five tailors, five young mothers, and five households from Kisugu in Makindye Division. The iterative process of developing carrier prototypes was guided by thematic analysis of the collected data. The findings showed that although household textile waste has drawbacks such as decreased durability and inconsistent quality, it could still be used as a material if it is carefully selected and reinforced. Mothers prioritized ergonomic comfort, affordability, and cultural aesthetics over structural limitations. Techniques like patchwork, topstitching, and layering improved both appearance and functionality. Ergonomic straps, reinforced panels, and storage features were incorporated into prototypes modeled after the curves of bananas and banana leaves. The study concluded by demonstrating how carefully considered, context-sensitive design can successfully transform household textile waste such as discarded cotton, denim, and bedsheets into affordable and practical baby carriers. The prototypes drew inspiration from locally recognized natural shapes, particularly the curves of bananas and banana leaves, to represent ergonomic needs and local identity. By promoting responsible consumption and production through material reuse and participatory design, the research advances Sustainable Development Goal 12 and offers, a viable solution that addresses community needs for maternal caregiving and environmental sustainability.
Production of typeface using the long-horns of Ankole cattle: a case of Mbarara municipality
(Kyambogo University (Unpublished work), 2024-08) Himbisa, Nimrod
The purpose of this study was to develop typeface from the long-horns of Ankole cattle with the aim of preserving the Ankole heritage through their creations. The objectives of the study were to; examine the long-horned Ankole cattle of Mbarara, explore ideas for creating long-horned Ankole typeface and develop typeface from long-horned Ankole cattle. The study had a population of 13 respondents who provided information through interviews and analysing documents in the possession. The study was qualitative and used descriptive approach. The findings indicate that long-horned Ankole cattle had numerous characteristics suitable for the creation of typeface, providing wide range of options to fully develop and create typefaces. The use of manual and digital process was essential in the refinement of the final characters. The findings could impact graphic designers by introducing a unique, culturally enriched typeface that can be used in various design applications. The study highlights how integrating cultural elements into typeface design using an exploratory research design can enhance the visual identity and storytelling aspects of graphic design projects. By creating typeface that embody the distinct features of the Ankole long-horned cattle, designers can add a layer of cultural significance and authenticity to their work. The study also recommends exploring other characteristics of the long-horned Ankole cattle for typeface creation, further expanding the variety of culturally inspired typeface available for use in the graphic design industry
Evaluation of trends in traditional pottery: a case study of Banyankole in central division Ntungamo district south western Uganda
(Kyambogo University (Unpublised work), 2024-06) Twinamatsiko, Justus
The purpose of the research was to critically review the extent and period in which traditional Ugandan pottery flourished, when it began to decline as a result of modern and postmodern influences. Review was made of its effects to traditional potters in Uganda. Pottery production was one of the earliest technologies adopted by farming communities whereby they used pots as storage facilities for their agricultural produce. This industry has continued to date and thus studies in pottery have been carried out to understand cultural groups, how they adapt and manipulate the environment to meet their needs. The study revolved around selected area of Banyankole in Central Division Ntungamo District South Western Uganda. The case study research design was adopted; data was collected through interviews, questionnaires, on site observation, museum artifacts and library research. Purposive Snow ball sampling was applied to have a profound understanding of renowned contemporary potters thus mentioning other potential potters. Critical theory guided the study. Attribute and thin section analysis as well as qualitative method of data analysis were used. Findings from the study indicate that pottery reached in Ntungamo district in the contemporary period and it was embraced to a small extent because it was passed from family to family at a less tremendous rate. Pottery also declined in Ntungamo due to the integration of materials by modernists and postmodernists and technology advancement. In addition, local people have been affected in terms of earning, cultural and social practice and production has lowered the number of traditional pottery items in Ntungamo. This study, therefore addressed a critical review of the extent and period in which traditional Ugandan pottery flourished, when it began to decline as a result of modernity and post modernity influences, and to understand how they have impacted the historical, cultural, social and economic aspect of traditional potters in Ntungamo district.
Promoting Iteso cultural values through ceramics inspired by Eritei (winnowing tray)
(Kyambogo University (Unpublished work), 2024-11) Asekenye, Rachel
Uganda has a rich cultural heritage, and many contemporary artists draw inspiration from traditional practices, rituals and objects. However, the unique design and cultural significance of the winnowing tray, which the researcher used has not been reflected into ceramics for interior and exterior cultural spaces. The researcher used the Eritei (winnowing tray) of the Iteso as a source of inspiration to produce ceramic artifacts for interior and exterior cultural and contemporary spaces to promote the Iteso cultural values. The objectives of the study were; to establish the cultural values of the Iteso associated with Eritei (Winnowing tray), to generate design ideas for creating ceramic artifacts inspired by the Eritei (winnowing tray), and to produce ceramic artifacts inspired by the Eritei (winnowing tray) to promote the Iteso cultural values. The study employed an exploratory research design and a qualitative approach. Eighteen respondents participated in the study. Data was collected from cultural spaces like the Uganda Museum, Nomo Gallery and Teso Cultural Research Centers; using interviews. Through studio experimentation, several trails on different designs of the Eritei (winnowing tray) of the Iteso were carried out to test their workability in clay. The researcher used hand building (pinch, slab, and coil), casting and wheel throwing methods to produce the ceramic artifacts. The study found that the discrepancies between traditional cultural values of the Iteso and modernity, coupled with misuse of social media, religion and economic aspects, have influenced people's attitudes especially among the youth in Kanyipa village, Bukedea district. The study's deduction was that produced ceramic artifacts such as wall hangings, water pots, and wall clocks inspired by the Eritei, can be used to promote Iteso cultural values in interior and exterior cultural and contemporary spaces. Drawing from the conversations with participants, studio explorations and available literature, the study recommends that the cultural values of the Iteso be preserved and passed on from generation to generation so that they do not deteriorate. Further studies could investigate research gaps; other than the winnowing tray, other lteso art crafts that also portray the Iteso cultural values.
Drawings for youth engagement in realizing a positive mindset in Kakatunda village, Rukiga district
(Kyambogo University (Unpublished work), 2024-04) Bushuurwa, John Bosco
The purpose of this research was to support the youth of Kakatunda village in Rukiga district by encouraging them to shift their mindset towards engaging in productive activities instead of remaining disengaged. Despite the rights of these young individuals to education and skill acquisition, a growing number of them were neither employed nor in school (NEET). Government policy on UPE, USE and TVET programs had not catered for most youth in Kakatunda in addressing their needs thus; necessitating immediate intervention. The study aimed to assess the extent of youth disengagement in Kakatunda village, explore reasons behind their withdrawal through narratives, and visually depict the youths' ideas for creating a positive work-oriented mindset. Employing a participatory visual design methodology, the researcher collected primarily descriptive data, relying on interviews and drawings facilitated by the researcher. The study's significance lay in sensitizing youth to the adverse consequences of disengagement, prompting them to recognize their untapped potential and contribute constructive ideas for their own development. The findings, comprise thirty drawings in general; thirteen of which are recorded in this report about collected narratives, were intended to influence government policy and stakeholders, in highlighting on appropriate interventions to engage the youth in productive endeavors. The rest of the Seventeen drawings were made by the researcher for his final exhibition. The research revealed an alarming level of disengagement that demanded urgent attention. To address this issue, the study recommended the establishment of vocational skills training programs and centers in the village. These centers would offer free practical courses in areas such as agriculture, carpentry, plumbing, and information technology, providing the youth with hands-on experience and useful skills for meaningful employment or entrepreneurship. Entrepreneurship promotion emerged as a vital strategy. The study advocated for encouraging and supporting youth entrepreneurship through mentorship, business development training, and access to microcredit loans. Establishing a supportive ecosystem for young entrepreneurs, encompassing guidance and resources, was deemed crucial to effectively tackle the problem. Conclusively, the solution to youth disengagement in Kakatunda village will be the introduction and implementation of Free Vocational Education and Training.
A studio exploration of rubber dust waste from tyres as a surface for drawing
(Kyambogo University (Unpublished work), 2024-10) Makwa, Peter Kamuli
The increase in population and urbanization of cities in Uganda has led to accumulation of Solid waste which consists of plastics, textile, glass, medical waste, metal and tyres among others. Recycling methods involving incineration of such waste are highly condemned by NEMA due to health risks that may arise from air and water pollution. A recent report on waste management around Greater Kampala Metropolitan Area (GKMA) in May 2023 by GIZ, a Germany development agency indicates that 50% of solid waste around Kampala is uncollected or poorly disposed in unknown dump sites. Recycling methods involving art and craft practices such as material exploration may contribute towards combating poor waste disposal. This study investigated the possibilities of creating drawing surfaces out of rubber dust waste from tyres as an intervention into its poor disposal. The study was guided by three objectives; To establish the various sources leading to formation of rubber dust waste from tyres; To examine the extent to which artists have explored recycled surfaces for drawing and To produce drawing surfaces using rubber dust waste from tyres. The study adopted an exploratory research design guided by the theory of production with waste and recycling by Klaus Conrad (1997) using in-depth interviews, observation, literature review, photography and studio exploration methods to collect qualitative data. Fifteen respondents involving five casual workers from footwear cottages and ten year III students pursuing Bachelor of Art and Industrial Design were selected using purposive sampling technique to participate in this study. The findings revealed a variety of sources responsible for the production of rubber dust waste from tyres including road abrasion, tyre treading, and tyre manufacturing processes. This study was able to reveal that rubber dust waste from tyres can be manipulated to create drawing surfaces bearing different attributes such as thickness, colour, flexibility and texture as would be determined by the artist. The study recommended that artists should engage in recycling practices as an intervention into poor waste disposal and possibilities of exploring rubber dust as a drawing material to widen the scope of its reuse.
Profiling Kiga traditional basketry as a cultural identity product: a case study of Ndorwa county, Kabale district
(Kyambogo University (Unpublished work), 2024-10) Asiimwe, Ivan Bagamba
The study on Kiga traditional basketry aimed to profile its cultural significance and promote its integration into the Kiga tourism industry by exploring various forms, material characteristics, and their exhibition potential. The study adopted the qualitative methodology, utilizing a narrative research design that incorporated in-depth interviews and observations with a sample of 18 participants selected from a broader population of 80 artisans, craft hawkers, and curators. Over a three-week period, data was collected through interviews, documentary analysis, and observations, focusing on the cultural identity of Kiga basketry and employing thematic analysis to ensure validity and reliability. The study provided an in-depth analysis of Kiga basketry in Kabale District, identifying thirteen distinct basket forms, including the endiiro basket, which all respondents recognized as critical for food serving and decoration and also reflected on its integral role in Kiga cultural practices. It also highlighted how unique patterns and materials like elephant grass and bamboo, along with traditional techniques such as coiling and twining, are essential for conveying cultural identity. The study concluded with recommendations for enhancing the visibility of Kiga basketry through exhibitions, museum displays, and publications, noting strong support from artisans for exhibitions and unanimous advocacy from curators for publications, thus emphasizing the need for collaborative strategies to preserve Kiga basketry's cultural integrity and ensure its sustainability within the tourism sector.
Use of birds as a source of inspiration for painterly ideas articulating domestic violence in Uganda, a case study of Bushenyi district
(Kyambogo University (Unpublished work), 2011-08) Mwijuka, Julius
The purpose of this study is to explore the use of birds as a source of inspiration for painterly ideas articulating domestic violence in Uganda. The research is born out of the fact that the researcher had for a long time been observing people affected by domestic violence. He thought that the research would come in handy and help to address the problem by sensitizing people about domestic violence. Women have been physically tortured, some have been victims of acid attacks, children have been abandoned and left at the mercy of whoever may care, couples have for a long time denied each other of sex, and young girls have been forced into marriage. Therefore, the study arose out of the researcher's experience and the urgent need to arrest such situation that threatens the continued peaceful family life. Artists have tried to articulate domestic violence, but they have been limited by their scope of selecting visual symbols that can represent situations through painting to forms they are familiar with, particularly, the human figure. This has limited their creativity in articulating domestic violence in a society that is rapidly changing and becoming more sophisticated. Artists for instance had not yet effectively demonstrated the symbolic use of birds through painting in the articulation of domestic violence. The researcher undertook a practical project which analyzed and explored the studio possibilities of using birds as sources of inspiration for painterly ideas articulating domestic violence. Five Chapters have been presented as a supportive guide to the practical work accomplished under this project. Chapter one displays the objectives, purpose, the magnitude of the problem, and the beneficiaries of the study. Chapter two states what is already in place related to the study. Chapter three defines the methodology and materials used in the study, whereas chapters four and five focus on the results, conclusions and recommendations.
Visual expressions of selected artifacts from Kasubi royal tombs for fabric decoration
(Kyambogo University (Unpublished work), 2017-12) Akumu, Juliet
The study was carried out under the title; "Visual expressions of selected artifacts from Kasubi royal tombs for fabric decoration". The purpose of this study was to examine selected artifacts from Kasubi royal tombs and explore studio possibilities of using the selected artifacts for production of fabric designs, for the purpose of contribution to visual documentation and preservation of Ganda cultural heritage. The research was conducted under the following objectives; to examine the artifacts from the Kasubi royal tombs that would aid in fabric studio practice, to develop designs from the selected artifacts from Kasubi tombs for fabric decoration. To studiously produce fabric works with visual expressions from selected artifacts of Kasubi royal tombs for fabric decoration. The researcher categorized the artifacts in the following themes; architecture (Muzibu Azaala Mpaga), weaponry (shields' and spears), crafts (mats and baskets) and music instruments (royal drums and gourd rattles). These were used to generate the visual ideas in fabric decoration. The study arises from the researcher's' observation and concerns that fabric decoration as a form of visual documentation for different Ganda cultural artifacts has not been fully exploited by fabric designers as compared to painting and sculpture forms of visual documentation. Against this the researcher took a keen interest in studying the Kasubi royal tombs and selected artifacts, to arouse their visual appreciation for fabric decoration. In the process of this study the researcher explored with fabric techniques such as: air-jet spray painting, applique and patch work, tie and dye, hand stitching and bleaching. Media used included, acrylic paint, fast dry paint, threads, bleach, and selected found materials. The end product of the research are wall hangings which can be placed in public and private wall spaces. Based on the qualitative and explorative research design, the researcher analyzed data from both the researchers design processes and respondents point of views. The research findings reveal that Ganda artifacts have a rich cultural content that needs to be visually documented for future use by generations to come. The recommendation of the study is a general call to visual artist to explore with the use of contemporary technique of design production in visual documentation of different cultural artifacts to promote, preserve and document their importance and existence, for this will create awareness and appreciation for Ganda cultural heritage.
Production of illustration signage to sensitize the sabiny community on the dangers of female genital mutilation in kapchorwa district
(Kyambogo University [unpublished work], 2023-09) Oneka, Mary Lesley
The purpose of this study was to produce illustration signage to sensitize the Sabiny community on the dangers of Female Genital Mutilation (FGM) in Kapchorwa District. The objectives of the research study were to establish the existing gaps in illustration signage in sensitizing the dangers of FGM and to design and produce illustration signage to sensitize the Sabiny community on the dangers of FGM in Kaptanya sub-county, Kapchorwa District. The qualitative study used Peirce's Theory of Signs. A Case study design was employed. A purposive sampling technique was used, where 19 respondents were purposely selected. The researcher collected data from interviews, focus group discussions, observation, photography, and studio experimentation. The findings revealed that the existing signage mainly displayed in urban areas is presented in a language that cannot be easily understood in that the kind of health danger associated with the practice, for example, pain and excessive bleeding, are not explicitly mentioned. Some forms of communication used were mainly on t-shirts worn by those in the urban areas, yet the critical issue is in the rural areas. Several key parties in the community are involved in joint efforts to bring about positive change in eliminating the traditional practice. Recommendations are that Sabiny girls and women be equipped with knowledge and skills that will empower them to be mindful of the health risks of the practice of FGM and engage in advocacy work aimed at curtailing and eventually eliminating the practice. Policymakers, law enforcement bodies, religious and cultural leaders, and NGOs should work tirelessly to end the practice of FGM. There is a need for scholars and visual artists to continue engaging in research and related activities on FGM in all parts of Uganda, where the practice is prevalent to support efforts made by other stakeholders. In conclusion, the world today keeps on evolving. Certain cultural practices cherished by some communities, such as FGM, are now considered harmful. FGM continues to inflict adverse health dangers on the Sabiny girls and women. Therefore, there is a need for the government to link up with its counterpart in Kenya to address the problem of Ugandan citizens who cross into Kenya to be circumcised. Rural areas have the highest FGM cases; the signage that points out dangers such as excessive bleeding and pain is hardly seen. Targeting rural communities with illustration signage is necessary for sensitization purposes.
The influence of foreign decoration on women's cultural fabrics in Ankole region; a case of Kazo district
(Kyambogo University [unpublished work], 2023-08) Mugisha, Wyclison Bamuhayira
The study examined the influence of foreign decoration on women's cultural fabrics in the Ankole region, using Kazo District as a case study. The independent variable was foreign decoration while the dependent variable was women's cultural fabrics. The study was guided by the following objectives; to examine the extent to which foreign concepts of decoration have influenced women's cultural fabrics, to ascertain the factors that influence the choice of clothing among Ankole women, and to suggest design motifs for women's fabrics that promote Ankole cultural values. The study adopted a descriptive research design that was both qualitative and quantitative. The study comprised of a sample size of 98 and included: 01 tribal leader, 04 craftsmen, and 95 women decorators were randomly selected. The tribal leader and 2 craftsmen were selected purposively. The data collection methods were questionnaire surveys and interviews. The study also used a questionnaire and interview guides as data instruments. The collected data were analyzed both quantitatively and qualitatively. According to the findings, the influx of foreign fabrics into Ugandan societies has influenced women's fabrics in Ankole Region. The findings revealed that many factors influence women's choice of specific fabrics. These include a specific type of fabric based on its suitability to an occasion, event, or condition; thus, the type and style of fabric to be worn were determined by the occasion. The study's findings also revealed that women cared deeply about quality while remaining committed to the fabric's affordability. The findings revealed that foreign magazines are the source of their foreign fabrics and that they also get their choices of foreign fabrics from the television and social media the study's findings revealed that foreign fabrics breed indecency and that Ankole cultural fabrics are poorly patronized. According to the findings of this study, aesthetic factors influenced women's fabric selection. Findings also show that foreign fabrics have unique designs, indicating that many Ankole women shopped for such fabrics. Women believed that limiting the importation of foreign fabrics would promote Ankole traditional fabrics and that dressing in fabrics designed in Ankole, wearing fabrics with materials or garments originating in Ankole, and intensive education on the importance of our Ankole culture fabrics would promote Ankole traditional fabrics. The study concluded that foreign decoration has a significant influence on women's cultural fabrics in Ankole region because foreign fabrics came with unique designs and are attractive therefore many of the women in Ankole patronized such fabrics. The influence was both positive and negative. On the positive side it was found that foreign fabrics promoted the quality of the fabrics and on the other hand foreign fabrics lead to erosion of Ankole culture that was portrayed through fabric designs that contain Ankole cultural values. The study recommended limiting the importation of foreign fabrics to promote Ankole traditional fabrics the study also recommended that Ankole women should dress in fabrics designed in Ankole to promote Ankole culture. The study also recommended intensive education on the importance of Ankole cultural fabrics to promote Ankole traditional fabrics. The study recommends more research to be carried out to determine the effects of foreign styles of dressing on locally made and designed clothes in Uganda.
Creating paintings inspired by the traditional iteso akogo music instrument for contemporary spaces
(Kyambogo University [unpublished work], 2022-06) Orhon, Solomon
"Creating Paintings Inspired by the Traditional Iteso Akogo Music Instrument for Contemporary spaces" is a study that produced paintings for contemporary spaces inspired by traditional Iteso Akogo Music Instruments. The objectives of the study were; (1) To establish the cultural significance of Akogo Music Instruments in the Iteso (Kumel village) community in Mukura Sub-county, Ngora District, Eastern Uganda. (2) To identify ways in which traditional Akogo Music Instruments can inspire decoration of contemporary spaces (3) To produce paintings for decorating contemporary spaces inspired by traditional Akogo Music Instruments. The study was carried out in Kumel Village, Mukura Sub County in Ngora District, Eastern Uganda, where seven respondents and a performance group were purposively selected. The research design was ethnography with research methods including in-depth interviews, direct observation, focus group discussion (FGDs), recording and photography. The data collected was subjected to studio experimentation to come up with the paintings. The findings indicate that; (1) the number of Iteso who are conversant with the use and application of Akogo music instrument continues to reduce because of many factors such as modernization, technological advancement and their related ideologies. (2) not so many Iteso did understand painting as a practice until when they encountered the Nyero rock paintings in Kumi district during the migration and movement of communities and, (3) Akogo music instruments are one of Teso's cultural heritage and when used as inspiration for paintings for contemporary spaces can promote and preserve Iteso material culture as well as create alternative sources of income. To change the perceptions on traditional Akogo music instruments, preserve and promote their importance, the researcher developed four projects through painting for decorating the hotel reception and conference room of Seven Eleven Hotel Ltd in Mukura. The projects were based on; "A Collaboration Tool'', "A Participation Tool'', "Mobilization Tool" and "Leadership & Communication".
The influence of changing community practice and its influence on lugbara funeral dance. A case study of tara sub-county, maracha district
(Kyambogo University [unpublished work], 2023-07) Apolot, Martha
Paintings reconstructing the positive identity of Batwa minority group inspired by their Indigenous dances
(Kyambogo University [unpublished work], 2018-11) Kamugisha, Edward
Worldwide, different communities have peculiar characteristics that make them different from others hence giving them identity. More so, despite the fact that modernity has carved some of the characteristics to become minimal and small, minority groups still keep most of their characteristics. The purpose of this study was to produce paintings depicting the identity of Batwa minority group inspired by their dances. The research was conducted under the following objectives; to analyze Batwa cultures that fanned their identity, to analyze how Batwa dances could be a source of inspiration to produce paintings for identity reconstruction, and to articulate dances through different studio possibilities in painting as building blocks to identity. The study was carried out in Rushaga area around Bwindi Impenetrable National Park in Kisoro District where seven respondents and a group of dancers were purposively selected. The study was etimography and the research methods included; direct observation, in depth interviews, focused group discussions (FGDs), recording, and studio experimentation. The findings indicate that because of Batwa being discriminated and marginalized, they probably developed inferiority complex which has led to the decline of their identity. To mitigate this negative perception, and promote their identity, the researcher developed three projects in painting that bring out the importance of the Batwa. The paintings were based on three dances of Yaanga dance, fight dance and the hunt dance. The findings reveal that the Batwa culture is so rich and can be used to promote their identity as well as being used as a source of livelihood. The study recommends that different Batwa cultures should be promoted for their wellbeing and reconstructing their identity.
A studio experimentation of intregrating text and image into painting based on selected ganda proverbs
(Kyambogo University [unpublished work], 2013-07) Semiyagi, Allan Samuel
The study examined factors limiting integration of texts and images based on Ganda proverbs to effectively communicate social. Political, economic and cultural issues as expressed in painting in the Greater Metropolitan Kampala. The study was based on exploration of the relationship between images derived from Ganda proverbs to create paintings. A qualitative approach as employed to support this exploratory survey. The exploratory research design used a formative approach that required a different position to the understanding of the status of using painting text and image in Uganda. It also called for an applied approach intended to facilitate an intervention into the stated problem by initiating studio practices and applying proverbial texts and images integration into paintings. The results established the factors that limit the new painterly approach to the integration of text and image using Ganda proverbs. Artists who that combine text and image based on proverbs were recognized. The study identified and selected specific 'Ganda' proverbs that were used to articulate text and image in studio paintings. The data was collected from across a section of people with different knowledge and background, using stratified and purposeful sampling techniques. The same process was used to select the Ganda proverbs. In order to acquire primary data, the study used experimental visual observation to establish the role of text and image in Ugandan paintings. This also allowed the researcher to examine the existence or non existence of text and image in the present paintings and other arts such drawing. With reference to the entire guide hook, the collected data regarding the text and image in painting based on Ganda proverbs will be found substantially different from those that preceded it. Texts and images based on the Ganda proverbs have been used in a symbolic approach to translate the linguistic, economic and socio-political aspects that would not only speak to uninformed but also to those who were only literary aware of the selected proverbs. The paintings aimed to lift up the morals of the whole community, and are ideally suited to the public spaces, Town halls and homes thus inspirational and educational sort of genre. This study further explored the value of musical instrument from Ganda culture in both realistic and abstract, and enhancing them with text. It could be any text but on this incident, it was proverbs (selected) from Ganda verbal communication which served two purposes of contribute to a compositional aspiration and because of their meaning, they strengthen the cultural content embedded in the paintings.
Extraction and application of cyperus papyrus fibers in hand weaving
(Kyambogo University [unpublished work], 2023-08) Kemirembe, Monica
The study aimed at exploring the possibility of extracting natural fibers from Cyperus papyrus plants, examining the suitability of Cyperus papyrus fibers for textile use and producing Cyperus papyrus hand woven products for home applications. The study used qualitative data collection methods. Some quantitative interpretations like graphs were, however, used to present demographic data. Collection of data was through in-depth interviews, observation, and photography. The collected data was analyzed through studio and laboratory experimentation to affirm the suitability of Cyperus papyrus in craft textile production. Findings revealed that the extracted fibers were suitable for craft textiles. For further affirmation of the suitability of Cyperus papyrus as a material for craft textile production, various products such as wall hangings, table mats and door mats for decorative and educative purposes were woven. Based on the findings it was concluded that Cyperus papyrus could produce long resilient strong fibers efficient for weaving and highly recommended for all hand weavers especially in educational institutions and in the textile cottages as a viable hand weaving material.
Woven narrative sculptures on survivors of human trafficking at omuti kreativ, lweza, wakiso, Uganda
(Kyambogo University [unpublished work], 2023-08) Katesi, Jacqueline Kalange
The purpose of this study was to produce woven sculptures and a visual pocket guide that create awareness about the dangers of human trafficking among young girls at Omuti Kreativ, Lweza, Wakiso district. It was guided by three objectives: 1.) to find out the causes of human trafficking among young girls at Omuti Kreativ, Lweza, Wakiso district, 2.) to create woven sculptures that highlight the dangers of human trafficking among young girls derived from the narratives of survivors at Omuti Kreativ, Lweza, Wakiso district, 3.) to design a visual pocket guide that creates awareness about human trafficking for the youth in Uganda. This study was qualitative in nature, employed a case study research design with focus on Omuti Kreativ where ten female survivors of human trafficking were sampled. The respondents were purposively selected and collection of data was through methods like in-depth interviews, participant observation, focus group discussions, photography and reviewing documentary evidence. Findings revealed that; majority of the survivors were subjected to dangers of human trafficking like forced labour, sexual servitude, smuggling, psychological torture, involuntary servitude and to a lesser extent organ trafficking. These findings were subjected to studio exploration which resulted into production of eight sculptures: five free standing and three relief, wearable sculptures namely imprisoned by the passport, abatambuze (a set of three sculptures), ekyama, ekyambe 1, ekyambe 2 and munyambe. Subsequently, the sculptures were integrated into a visual pocket guide that creates awareness about human trafficking to enable accessibility to more people. The researcher recommended that the survivors need to be educated about their working rights, the law and how best it can protect them within these foreign work destinations, all learning institutions in Uganda ought to emphasize hands-on skills among the youth aimed at producing more job creators than job seekers, law enforcement personnel and policies in regard to human trafficking need to be revised and strengthened, more visual research needs to be conducted on human trafficking through art exhibitions to spark off both internal and external discourse among the publ

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