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Now showing items 11-20 of 44
Visualisation of Kiga totems as meaning making modes towards cultural identity and appreciation
(Kyambogo University (un published work), 2019-11)
Kiga totems as forms of cultural identity were substantial information of the Kiga
cultural identity and appreciation. The Kiga totems have functioned as cultural
identity symbol that create identity awareness of kinship ...
Production of sculpture from waste paper inspired by the Kikiga traditional dance
(Kyambogo University, 2019-11)
The study explored the different possibilities of using waste paper to produce sculpture inspired by the KiKiga traditional dance. The study was conducted under three objectives that sought to: (1) Establish how waste paper ...
Exploring motifs for textile decoration from Kiga indigenous cultural icons in south western Uganda
(Kyambogo University, 2019-11)
The purpose of this study was to explore possibilities of using motifs derived from Bakiga cultural icons for textile decoration using both weaving and screen printing as production techniques. The study aimed at achieving ...
Studio exploration of elected ganda material culture to develop muleera on a kanzu for mmamba clan members
(Kyambogo University (unpublished work), 2017-12)
The general purpose or this study was to explore and develop " Muleeru" patterns
inspired by selected Ganda materials culture (Mmamba Totem) and use them to decorate Muleere Kanzu for the Mmamba clan members. In pursuant ...
The use of date- palm tree fiber in the production of handicrafts
(Kyambogo University[unpublished work], 2022-09)
Handicraft making is a common practice that is practiced largely by women and to a small extent
by men all over the world. The current study aimed at producing handicraft samples from date
palm tree fibres to empower ...
Creating culturally based bridal adornments from selected Ankole motifs
(Kyambogo University(Unpublished work), 2017-12)
The Banyankole have kept okuhingira (the giveaway ceremony) as an important function, yet
body adornments used during okuhingira do not clearly depict the Kinyankole culture. Since the
ancient times, personal adornment ...
Use of paintings to conserve the blacksmith practice of the Ethur (Labwor) community in Abim district, North Eastern Uganda
(Kyambogo University, 2019-11)
The purpose of this study entitled Use of paintings to conserve the blacksmith practice of Ethur (Labwor) people in Abim District North Eastern Uganda is to document and conserve the blacksmith practice of the Ethur (Labwor) ...
Production of alternative surfaces for print making using banana fibres as a material
(Kyambogo University, 2019-06)
The purpose of the study was; to explore the potential of using banana fibre as a material for production of surfaces for printmaking which are cheap and give good registrations of prints. The study was guided by three ...
Promoting cultural identity: graphical illustrations of Kinyomo clan totem
(Kyambogo University [ Unpublished work], 2021-08)
Cultural identity is a worldwide practice that is promoted for purposes of the continuity of societal valves and perseveration of tradition for sustainable development. The present study aimed at developing graphical ...
Identification of Buganda bark cloth and production of contemporary textile decor
(Kyambogo University (unpublished work), 2019-11)
In their history, Baganda have always taken advantage of natural resources with bark cloth
as one of the plant products they have fully utilized. This study was aimed at
assessing the selected Baganda bark-cloth that ...